Films, books &
music.

The most beautiful film ever made. Longing, restraint, and the tragedy of timing.

In-yun. The paths we take and the ones we don't.

The American Dream through a Korean-American family. Water celery and perseverance.

Baldwin's prose brought to life. Love as resistance.

Architecture as art and obsession. The immigrant experience and creative vision.

Sharp satire on race and publishing. Percival Everett's wit.

Body horror and beauty standards. Grotesque and unforgettable.

Love transcends time and space. Hans Zimmer's organ.

Class warfare as a genre-defying masterpiece.

Slow-burning mystery. Murakami adapted to devastating effect.

Fashion, control, and twisted love. DDL's final performance.

Identity, masculinity, and tenderness. Three chapters of becoming.

Cold War fairy tale. Del Toro's love letter to monsters and outsiders.

Journalism as it should be. The Boston Globe exposes systemic abuse.

One continuous shot. Keaton's comeback about comebacks.

Fake movie, real rescue. Hollywood saves the day.

Solomon Northup's memoir. Unflinching and essential.

Find a partner or become an animal. Lanthimos at his most absurd.

Frankenstein meets feminist awakening. Maximalist and joyful.

Queen Anne's court. Three women, zero trust, seventeen rabbits.

The 2008 crash explained with celebrity cameos and rage.

Gerwig's structural genius. The March sisters, non-linearly.

Szpilman's survival. Brody's gaunt, devastating performance.

Where it all began. The Wilson brothers rob a bookstore.

Max Fischer's extracurriculars. Murray's career revival starts here.

Prodigies grown up and broken. Needle drops and raccoon coats.

Jacques Cousteau meets midlife crisis. Portuguese Bowie covers.

Three brothers, one train, too much baggage. India in pastels.

Stop-motion Roald Dahl. Different, but cussing good.

Two kids, one island, scout camp chaos. Pure and strange.

Gustave H. and Zero. Anderson's most beloved, for good reason.

Japanese dystopia, exiled dogs. Stop-motion political fable.

New Yorker magazine as film. Three stories, maximum Anderson.

Desert, aliens, grief. A play within a film within a broadcast.

$6000 budget, shot on weekends. The DNA of everything after.

Reverse chronology. Can you trust your own memory?

Alaska, no darkness, no sleep. Williams against type.

Why do we fall? The grounded Batman we needed.

Rival magicians. Are you watching closely?

Ledger's Joker. Chaos as ideology. A superhero crime epic.

Dreams within dreams. The spinning top never stops.

Bane's voice, broken Batman. The trilogy ends.

Three timelines, pure survival. Zimmer's ticking clock.

Time inversion. Don't try to understand it, feel it.

The father of the atomic bomb. Three hours of dread.

Not quite my tempo. J.K. Simmons as a jazz tyrant.

Family trauma as horror. That dinner scene. That car scene.

Based on an actual lie. East meets West through a fake wedding.